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Fritz Reiner loved to terrorize orchestras, and his fame rests largely with the series of recordings he made with the Chicago Symphony for RCA. Occasionally, however, he appeared before other orchestras. The Royal Philharmonic in the early 60s, when this record was made, was still very much Sir Thomas Beecham's orchestra. Beecham was in every way the antithesis of Reiner, so the musicians must have been shocked by the arrival of this stern, even mean, disciplinarian. Well, for whatever reason, the combination produced great results. This is a terrific, passionate performance of the Fourth. It's particularly noteworthy for the Romantic poetry of the slow movement, and the genuine rage that Reiner conjures in the work's final moments. Sometimes a little hostility is just the ticket. --David Hurwitz

【再入荷】 [Analog] 4 No. Symphony Brahms インポート a-color-secondary class="a-size-medium-交響曲管弦楽曲協奏曲

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レットイットゴーリミックス シングル B000026WIE

【再入荷】 [Analog] 4 No. Symphony Brahms インポート a-color-secondary class="a-size-medium-交響曲管弦楽曲協奏曲

【再入荷】 [Analog] 4 No. Symphony Brahms インポート a-color-secondary class="a-size-medium-交響曲管弦楽曲協奏曲

【再入荷】 [Analog] 4 No. Symphony Brahms インポート a-color-secondary class="a-size-medium-交響曲管弦楽曲協奏曲

ベートーヴェン:交響曲全集 限定版 B005KLAA5E

【再入荷】 [Analog] 4 No. Symphony Brahms インポート a-color-secondary class="a-size-medium-交響曲管弦楽曲協奏曲

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